We all know about Marilyn Monroe, THE great actress, don't we? We all know about Albert Einstein, THE great scientist. Then there is Sigmund Freud, THE great psychiatrist. We know about their greatness because the Main Stream Media tell us, in books, films, magazines, television. The Media know, don't they? Perhaps but do they tell us what they know? Do they tell the truth? In a word; NO! They are propaganda machines marketing Jews. The Jew, Freud was at least 90% charlatan. The Jew, Einstein is thought to be a plagiarist, who took his ideas from others. Do you have the background to understand his alleged contribution to physics? Nor do 99% of us. I am pretty sure that the anti-Einstein lobby is right precisely because he is being praised by Jews.
Here someone tells us that Marilyn Monroe made it big because she did what Hollywood Jews wanted. What do Jews want apart from money and power? I leave you to think that one out for yourself.
Is this article honest, accurate, truthful? Certainly the Wiki admits reluctantly that Shiksa is a word Jews use contemptuously of Gentile women.
Read for yourself. Think for yourself. Decide for yourself.
Posted on March 4, 2014 Marilyn Monroe: “I’ll never have to suck another [Jewish] c*** again!”
Monroe had resolved to sleep with anyone who could help her attain fame and fortune in Jewish-dominated Hollywood. Close friend Ted Jordan [ He wrote Norma Jean My Secret Life With Marilyn Monroe - Ed. ]] notes that she had “sex with anybody she thought might be able to advance her career” (Jordan, 121). “It is clear,” says Anthony Summers in his biography [ Goddess : The Secret Lives of Marilyn Monroe - Ed ], “that Marilyn made judicious use of her favors. A key beneficiary was the [Jewish] man who got Marilyn that vital first contract at Fox — Ben Lyon. According to writer Sheila Graham, Lyon had been sleeping with Marilyn and promising to further her career … Lyon called the casting director for Sol Wurtzel, a [Jewish]B-movie producer of the time [and Monroe was awarded a small part in the 1947 film Dangerous Years]” (Summers, 35).In olden times,” Upton Sinclair once remarked, “Jewish traders sold Christian girls into concubinage and into prostitution, and even today they display the same activity in the same field in southern California where I live.” Or as F. Scott Fitzgerald summed up the Hollywood scene of his era — “a Jewish holiday, a Gentile tragedy” (Gabler, 2).
Early in Monroe’s career as a struggling actress, the Jewish head of Columbia, Harry Cohn, invited her to an overnight cruise on his yacht. Monroe was required to strip naked for Cohn in his office. As she bent over, at his direction, he approached her, penis in hand. When she declined his advances, said Monroe, “I had never seen a man so angry” (Jordan, 91; Wolfe, 211-212). Cohn then “banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island” (Leaming, 8). “You know,” Monroe once said, “that when a producer calls an actress into his office to discuss a script that isn’t all he has in mind … I’ve slept with producers. I’d be a liar if I said I didn’t” (Summers, 34-35). In 1955, 20th Century Fox awarded Monroe the richest per-film contract of any actress. “It means,” remarked Monroe, “I’ll never have to suck another cock again!” (McDougal, 217).
The network of Jewish men that controls Hollywood has always been characterized by an intense sexual fixation on the shiksa — shiksa being a derogatory slur for a Gentile woman, literally signifying “unclean animal” according to its Yiddish etymology [ Or the Wikipedia is lying to us about it - see Shiksa ] . Hence the ubiquitous “casting couch,” a Hollywood institution that provided Jewish powerbrokers access to otherwise unavailable non-Jewish women, whom they despised as non-Jews yet idealized as avatars of alien sexual desirability. The shiksa thus became the ultimate sexual trophy. The Jews who ruled Hollywood, noted Hollywood rabbi Edgar Magnin, “were men who made all that money and realized they were still a bunch of Goddamned Jews. Sleeping with a pretty gentile girl made them feel, if only for a few minutes, ‘I’m half gentile.’ No wonder they made idols out of shiksa goddesses.”
“By 1953,” Jordan reports, “… [Monroe] could be virulently anti-Semitic (a prejudice that grew as she got older). To my discomfort she would sometimes refer to Joe Schenck, the mogul [and another sexual stepping stone], as ‘that Jew shit’ and to other Hollywood personalities as ‘Jew’ this or that. Occasionally I would have to remind her that I was half Jewish” (Jordan, 188). Monroe’s anti-Semitism did not prevent her from later converting to Judaism, at the behest of her Jewish husband, p, playwright Arthur Miller, who (despite his vocal anti-racialism) would not wed an unconverted Gentile.
Shiksa ex Wiki
The word shiksa is etymologically partly derived from the Hebrew term שקץ shekets, meaning "abomination", "impure," or "object of loathing", depending on the translator.[3]Several dictionaries define "shiksa" as a disparaging and offensive term applied to a non-Jewish girl or woman.[4][5]
In Polish, sziksa (pronounced [ʂɨksa])) is a pejorative word for an immature young girl or teenage girl, as it is a conflation between the Yiddish term and usage of the Polish verb sikać ("to urinate"). It means "pisspants" and is roughly equivalent to the English terms "snot-nosed brat", "little squirt", or "kid".[6]